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When did you first know you could be a writer? I was eight years old and it was very late - long past my bedtime. Instead of sleeping, I aimed a flashlight on my notebook so I could write a new story. Then it hit me. I was put on this planet to write. I've done a lot of things since that moment. But I always knew what I was meant to do. That's never changed. I'm here to write.
Life is so rich with beauty, excitement and contradiction. My characters and stories live within me, emerging when the time is right. My soul is totally integrated with writing. It's like breathing - I don't need inspiration. The words are always there.
I always prided myself on my ability to write anything - from journalism and copywriting to fiction. Give me a format and I'll put it into words. When I was a child, I used to watch people on the subway and invent stories about their lives. It was so much fun! The question, then, is not what I'm most comfortable writing, but what I enjoy the most. The biggest challenge - the type of writing where I have to dig deep into my soul - is adult fiction. I live my characters and stories; in many ways they are more real to me than the people in the street. I have to work hard to make sense of their experiences, understand their environments and, of course, know their historical context. Sometimes, I meet myself in their stories and, often, it's not pretty. But it's what I do and who I am!
I don't know which was my first book. Was it the silly novel I wrote about my childhood? The first children's book? The serious tome about managed care? If I can't identify my "first book" then it's even more difficult to talk about a specific inspiration.
In my "other life" I am a Family Therapist. After all these years, I'm still amazed by human behavior. People are crazy, loving, nurturing, and evil. And that's only a few words. Perhaps my greatest ongoing influence is the world around me - the things I see, live and hear - and the stories that seem to emerge from within.
Three things - reading, writing, and experiencing life! They were all critical to my development as a writer. I plan on continuing them for as long as I live - and maybe beyond.
I never wanted to be a writer - I was born one. It's who I am.
For me, the biggest challenge in writing is the business. I can easily organize three hundred pages into logical parts, but setting up a marketing plan terrifies me. Contracts, publicity, promotion, and scheduling are daunting. While I store endless historical facts and recall them when needed, I can't keep track of who owns which rights!
Writing is more than a career - it's my soul. I can't separate myself from my work.
It took a lot of experimenting, rewriting, and thought to find my voice in Trees Cry For Rain. The structure is not traditional, which is always risky in historical fiction. I move between the past and present, encouraging the reader to make the connections. Of course, at the end everything is brought together. I hate books that leave readers without answers or endings! I used some very subtle techniques to empower my writing. For example, everything in the past is written in present tense; everything in the present is written in past tense. The goal was to give the past an immediacy - taking the reader into the moment. Using first person enhanced that concept. Predictably, it's very difficult to write first person, present tense about events that happened five hundred years ago. I had to do a lot of editing and, sometimes, had to read out loud to make sure it was grammatically correct. It was very important that the people living in the present fell into a more standard third person, past tense structure. These challenges enabled me to manipulate time through plot, characters and structure.
My greatest strength - and blessing - is always knowing what I was meant to do. Whether it was short stories, copywriting, journalism, books for children, or Trees Cry For Rain, there was never any doubt. I was born to write.
I don't experience writer's block. I am my writing, and my writing is me. They can't be separated. There are times when I need to think - to mull over a character, or restructure a plot, but that's still writing. There are times when I simply need to experience the world, and integrate it into my work. But that's writing, too. Putting words on a paper or screen is only one part of the process.
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